INTERTEXTUAL ROUTES OF CONTEMPORARY MUSIC: ASSOCIATIVE MUSIC TEXT ISSUE
نویسندگان
چکیده
The purpose of the article is to present concept associative musical text (definition, typology, methodology) and analytically prove viability as an effective technique modern forming. Research methodology. author has applied method generalisation, which allowed us review intertextuality issue in humanitarianism systematise observations on texts; a methodological definition procedure determining category text; typological approach provided possibility differentiating methods hermeneuticalsemantic, intonation comparative analysis, have become basis for identifying dramatic specifics works reviewing. Scientific novelty. proposed text, representing three scientific positions: definition, typology (10 types), research Conclusions. proves categorically independent, functional, or contemporary composer’s thinking. It found that one basic, technologically developed mechanisms formation music, sphere activation meanings always different, aimed at dialogue counterdialogy with primary source, author, era its socio-cultural priorities. theory reasoning carried out based “Сarpe Diem” by Ukrainian composer A. Bezborodko “Biber. Battalia 10 (with pieces PatKop from “Ghiribizzi”) Moldovan Swiss artist P. Kopachynska. Various trends work intertext are studied: Game modelling “fragments” old texts discovery their unexpected figurative semantic resources (“Сarpe Bezborodko) adaptation new artefact complete composition past (“Bieber. Battalia” Kopachynska). proven significance perfect heuristic mechanism formating, thanks there reconstruction updating “old” phenomena alternative reputation co-creator corporate article.
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ژورنال
عنوان ژورنال: Kul?tura ì mistectvo u su?asnomu svìtì
سال: 2022
ISSN: ['2410-1915', '2616-423X']
DOI: https://doi.org/10.31866/2410-1915.23.2022.261009